Is You Is or Is You Aint My Baby Tom
| Solid Serenade | |
|---|---|
 Re-release title card of Solid Serenade. | |
| Directed by |
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| Story by |
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| Produced by | Fred Quimby |
| Starring |
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| Music by | Scott Bradley |
| Animation past |
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| Color process | Technicolor |
| Product | MGM Cartoons |
| Distributed past | Metro-Goldwyn-Mayer |
| Release date |
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| Running time | seven:22 |
| Linguistic communication | English |
Solid Serenade is a 1946 one-reel animated cartoon and is the 26th Tom and Jerry curt, produced in Technicolor and released to theatres on Baronial 31, 1946 by Metro-Goldwyn Mayer.[1] It was produced by Fred Quimby, directed by William Hanna and Joseph Barbera, and the musical supervision was past Scott Bradley. Ed Clomp, Michael Lah, and Kenneth Muse animated information technology. Excerpts of this cartoon are seen in three other Tom and Jerry shorts: Jerry's Diary, Smitten Kitten, and Smarty Cat, the latter case with altered sound and an added scene of Tom whistling.
Plot [edit]
In a lawn is a doghouse labeled "Killer" with the canis familiaris (Fasten) within. Tom pokes his caput over the wall and spots Toodles in the window. Tom has brought a string instrument (which appears to exist a hybrid of a double bass and a cello). He leaps over the fence and neutralizes Spike by whistling at him and hit him on the head with a mallet and tying him up. Tom then uses the cello like a pogo stick to jump his way over to the window, stopping to picture show Spike's nose along the way.
Tom performs "Is You lot Is or Is You Own't My Babe" to Toodles, which wakes Jerry, who was sleeping within his mousehole (located in a postal service box). Bellyaching past the sounds, he pokes out of the mail slot and spots Tom playing the instrument. He goes back to his bed and covers himself with the pillow, yet the sound waves from the instrument milk shake Jerry'south mousehole, causing Jerry to fall out of bed (while withal trying to comprehend his ears) and vibrate his fashion under a table, meanwhile a flower pot is vibrated across the tabular array direct above Jerry's head and falls on him when both achieve the edge of the table. Outside, Tom uses the instrument as a bow to shoot himself to Spike, who is still being tyed, tortures the dog by plucking its oral fissure, and runs back to the cord instrument. The camera goes back within Jerry's mousehole, whose stuff is messed up and broken by the vibration. Jerry continues being moved to nether the mail pigsty's lid correct before a friction match holding it falls, making the lid slam Jerry. Having had enough, Jerry throws off his nightcap, goes out of the mousehole to the kitchen and decides to get revenge past stuffing an iron into a pie which he and then hurls at Tom through an open window; the cat is angered, merely continues with a few more confined. Seconds later, he is hitting in the confront again – this time with a pie covered in whipped cream. Spotting Jerry, Tom chases him through the house.
Both animals dive off an ironing board; with Jerry ahead of Tom, Jerry drains the kitchen sink he landed in, leaving Tom to crash into the crockery. Tom follows Jerry through the open window, but Jerry pulls the window stop out of the window, which falls on Tom's neck, and Tom shrieks in pain. Jerry then runs out and unties Spike, who lets out a loud bull roar. Spike swaps his regular teeth for larger ones, blows off some pent-upwards steam, and goes subsequently Tom.
Tom ducks as Spike's teeth come at him, which instead go lodged in a tree trunk. Tom so barely avoids getting his tail bitten and hides behind a wall, holding a brick upwardly fix to attack. Spike sees the brick and investigates, just gets knocked on the head with it. Jerry revives Spike by hitting him with a wooden plank on his rear end. After slamming Spike, Spike leaps high in the air screaming in pain just as Jerry easily off the board to Tom, framing the cat.
Knowing he is in trouble, Tom tricks Spike into assertive the board is a stick by playing "fetch". Fasten obliges and fetches but then realizes he's been tricked. Tom and Spike then begin a back and forth chase with Toodles Galore watching on. Tom stops periodically to kiss the cat. Catching on to this habit, Fasten blocks Tom from kissing Toodles on the third pass. Tom does non realize he is existence tricked and woos Fasten in a Charles Boyer voice, thinking it's Toodles (through archive lines from The Zoot True cat), but stops his voice communication abruptly when he sees the female true cat dumbstruck. Realizing his mistake, he slams Fasten's head onto the basis. Tom hides from Fasten's rampage until Jerry walks effectually the corner; he chases Jerry into Spike's house, closing the door with a murderous express mirth and Dracula leer. A second later, the door opens and Jerry emerges with Spike helping him out of the doghouse, Spike laughing even more than evilly as he withdraws inside. The entire dog firm thrashes nearly as Fasten beats up Tom, who attempts to flee only to be snatched by Spike. Tom manages to write his last will before he's wrenched back in and beaten to inside an inch of his life. In the end, Tom becomes function of his instrument in place of the strings with Spike strumming the cat'southward tail while Jerry bows a dramatic ostinato on Tom's whiskers and Toodles watches.
Vox cast [edit]
- Billy Bletcher as Killer (Fasten) and Tom (laughing)[2]
- William Hanna as Tom, Jerry and Toodles
- Frank Graham equally Tom (speaking)[2]
- Jerry Mann as Tom (speaking; archive recording)[two]
- Ira "Cadet" Woods equally Tom (singing)[two]
Product [edit]
- Directed by: William Hanna and Joseph Barbera
- Story: William Hanna, Joseph Barbera
- Animation: Ed Barge, Michael Lah, Kenneth Muse
- Boosted Animation: Ray Patterson, Pete Burness
- Music: Scott Bradley
- Co-Producer: William Hanna
- Produced by: Fred Quimby
Availability [edit]
The short was included on several DVDs: Tom and Jerry's Greatest Chases, Vol. 1; Tom and Jerry Spotlight Drove Vol. 1, Disc Ane; and Tom and Jerry Golden Collection Book One, Disc Two.
Reception [edit]
Blitheness historian Michael Barrier wrote that Tom's advent stabilized by the time of Solid Serenade, giving him a more streamlined and less inconsistent look. Jerry, whose advent was already economical, only became cuter, co-ordinate to Barrier.[iii] Describing music director Scott Bradley's work, bookish Daniel Ira Goldmark called Solid Serenade "an excellent overview of Bradley's techniques", as it uses both pop songs and an original score.[4]
References [edit]
- ^ Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. p. 138. ISBN0-8160-3831-7.
- ^ a b c d [1]. Retrieved 2019-eleven-29.
- ^ Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Historic period. Oxford University Press. p. 423. ISBN9780199839223.
- ^ Goldmark, Daniel Ira (2005). Tunes for 'Toons: Music and the Hollywood Drawing . University of California Printing. p. 101. ISBN9780520941205.
External links [edit]
- Solid Serenade at The Big Drawing DataBase
- Solid Serenade at IMDb
Source: https://en.wikipedia.org/wiki/Solid_Serenade
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